With 29 numbers, this publication is our most extensive catalog to date. True to the motto “Classic. Modern. Paper.” the portfolio ranges from works by the “Blauer Reiter” artists Franz Marc, August Macke and Paul Klee and a suite of works by Alexej von Jawlensky to works on paper by the “Brücke”painters Max Pechstein and Erich Heckel. Also classics of post-war modernism, such as Günther Uecker, Serge Poliakoff and Eduardo Chillida, are represented. A thematic focus is on Lyonel Feininger and Emil Nolde, which we present to you as masters of graphic art.

Hamburg 2018

Catalogue N. 10, fully titled "Lyonel Feininger. Franz Marc. Werke aus dem Nachlaß T. Lux Feininger", marks something of a milestone. Not only is it the gallery’s tenth catalogue since the launch of the series in 2006 (excluding special catalogues) but it’s remarkable because – unusually for the gallery – part of it is devoted to prints. It showcases an outstanding group of 19 drawings and prints, some of them exceptionally rare hand-pulled proofs by two of the great masters of modernism – Lyonel Feininger and Franz Marc. Most works are personally annotated and many carry hand-written dedications.

Hamburg/Berlin 2016

This catalogue is published in conjunction with Berlin-based '68projects'. As the title suggests, the catalogue extends the gallery’s scope to embrace contemporary artistic production. Classic modern works are juxtaposed thematically to contemporary works - Hofer is paired with Marc Brandenburg; Jawlensky with Friederike von Rauch and Nolde with Jorinde Voigt. These juxtapositions produce a fascinating diversity of insights into the creative process.

Hamburg 2013

This catalogue is a monograph on the oeuvre of Rolf Hans (1938-96), an artist whose work is an exciting recent discovery. His abstract paintings were executed in a variety of media – pastel, watercolour, collage, oil and acrylic on panel. They reflect his preoccupation with the colouristic richness of the natural world as observed through changing seasons in the Swiss canton of Ticino and on trips to Italy, Spain, Norway and East European countries. His use of bold blocks of intense colour recalls the Colour Field painting of American Abstract Expressionists like Barnett Newman and Mark Rothko as well as one of the masters of the Bauhaus, Josef Albers.

Hamburg 2011-12

Catalogue No. 5 highlights the extraordinary range of creative achievement in Europe in the first half of the twentieth century as represented by artists like Hofer, Campendonk, Nolde and Jawlensky. They rank among the most influential and exciting exponents of classic modernism. Every work is illustrated in full-page colour and is accompanied by a detailed catalogue entry.

Hamburg 2009-10

Over the last eight years the gallery’s primary field of specialisation has focused on classic modern works on paper. Catalogue No. 3 demonstrates just how many-faceted this field is. One outstanding example of the versatility of the field is Hofer’s remarkable pencil drawing of a dancer executed around 1940. Another example is Macke’s sensitive handling of a "Girl Sleeping" (1912) – a very private study of his wife Elisabeth. The catalogue also features work by other Blue Rider artists - Marc’s "Red Horse" (1912), a striking tempera over pencil and Feininger’s watercolour "4-Mast Bark Abraham Rydberg" (1934), an exquisite example of his meticulous penwork and crystalline Cubist-style aesthetic.